384 Route 53. FLORENCE. Gal. degli Uffizi.
1167. Fra Fiiippo Lippi (?), Portrait of an old man; *1217.
Perugino, Portrait of a young man; *1163. Lor. di Credi, Portrait
of Verrocchio ; 1149. Cristofano Allori, Magdalene (after Correggio) ;
1153. Ant. Pollajuolo, Contests of Hercules with Antaeus and the
Lernean hydra; 1158. S. Botticelli, Death of Holophernes; 1156.
S. Botticelli, Judith; 1157. Portrait, 1159. Head of the Medusa,
both erroneously attributed to Leon, da Vinci, and the latter
evidently painted from Vasari's description of Leonardo's cele¬
brated work (now lost) ; 1160. Lor. di Credi, Annunciation ; 1161.
Fra Bartolommeo, Nativity and Circumcision of Christ (about
1500); 1162. Fra Angelico da Fiesole, Birth of John the Baptist;
1175. Santi di Tito, Children; *1176. A. del Sarto, Portrait of
himself (?) ; 1184. Fra Angelico, Death of Mary; 1179. Filippino
Lippi, St. Augustine. 1182. Sandro Botticelli, Calumny, from the
description by Lucian of a picture of Apelles ; on the basement a
reminiscence of the Centaur family of Zeuxis. 1283. Alessandro
Allori, Bianca Capello; 1178. Fra Angelico, Sposalizio; 1152. Fra
Bartolommeo, God the Father (a sketch); 1230. Andrea del Sarto,
Portrait of a lady ; 1235. Fra Bartolommeo , Madonna and Child
(unfinished) ; 1244. Manzuoli, Portrait of Helena Quaratesi-Gaddi;
1248. Baccio Bandinelli (the sculptor), Portrait of himself.
II. Saloon : 1250. Pier di Cosimo, Conception; *1252. Leo¬
nardo da Vinci, Adoration of the Magi (in part only sketched);
1254. Andrea del Sarto, St. James and two children in monks'
cowls ; 1257. Filippino Lippi, Adoration of the Magi, with portraits
of the Medici (1496). *1259. Albertinelli, Visit of Mary to Eliza¬
beth, painted in 1503, resembling Fra Bartolommeo in tone, char¬
acter, and handling, and for the period technically perfect.
*1265. Fra Bartolommeo, Arirgin with the tutelary saints of Flor¬
ence (unfinished); 1267. Pontormo, Portrait of Cosimo de' Medici
('pater patriae'); *1267bis. S. Botticelli, Madonna and Child with
four angels; *1268. Filippino Lippi, Madonna with saints (1485);
1271. Bronzino, Christ in Hades (1552); Ridolfo del Ghirlandajo,
*1275. St. Zenobius, Bishop of Florence, resuscitating a dead
child, and *1277. Transference of the remains of St. Zenobius to
the cathedral; 1276. Cigoli, Martyrdom of St. Stephen ; *1279.
Sodoma, St. Sebastian ; 1280. Granacci, Madonna delle Cintola ;
1284. Pontormo, Venus (from a design by Michael Angelo).
*Hall of the Ancient Masters. **1290. Fra Angelico, Coro¬
nation of the Virgin, with circles of angels playing and dancing,
the whole with its bright colours and gold ground forming a charm¬
ing and dazzling scene of celestial bliss ; 1287. Lorenzo di Credi,
Mary adoring the Child; 1289. S. Botticelli, Madonna; *1288.
Leonardo da Vinci, Annunciation (an early picture of the master?);
*1307. Fra Fiiippo Lippi, Madonna and the Child with two angels
('the Virgin with an air of profound devotion but at the same time
simple and friendly'). *1291. Luca Signorelli, Holy Family, a
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